Book Chapters:
“Brown and Black: A dance conversation by Michael Sakomoto and Christopher-Rasheem McMillan” in Writing the Body; Staging the Other: Essays on Corporeal Marking, Creating, and Resisting. McFarland Publishing (Accepted/Forthcoming)
Journal Articles:
“Playing In Our Aunt’s Gardens: Choreographic Reconstruction, Race, and Bodily Transfer in Black Lokes.” Choreographic Practices (Forthcoming, 2018)
“Trisha Is My Shepard; I Shall Not Want…”, Trisha Brown Memorial Portfolio, Movement Research Journal, Issue 51, Spring 2018
“Be Still and Know: Contemplative Dance, Witness, and Embodied Testimony.”, Dance, Movement & Spiritualities Volume 5, Issue 2, 1 Fall 2018.
“Biblical Performance Criticism: The Almost, But not Quite, Transubstantiation of Performance Studies into Religious Studies”, Liminalities: A Journal of Performance Studies Volume. 13, No.3, 2017, pp 1-23 (23)
“Move When The Spirit Says Move: Authentic Movement, Witness, and Embodied Testimony.”, Contact Quarterly Volume 42, Number 2, Summer/Fall, 2017 .
“What White Women Gave Me: Dance, Kinship, and a Queer's Paranoia.”, Kinebago Journal: A Tour of Movement Arts in New England Issue 7, 2015, pp 21-28 (7)
“Performing The Sacred Archive: Discourses on Reconstruction, Documentation and Interpretation.”, Dance, Movement & Spiritualities Volume 1, Issue 2, 1 June 2014, pp 329-346 (18).
| Authentic Movement and Testimony |
| Performing The Sacred Archive Discourses.pdf |
| What White Women Gave Me.pdf |
| Biblical Performance Criticism.pdf |